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Certain musicians have a hold on you...they get you early in life, and then stay with you forever. Not in a bad way...just that something about their work resonates with you forever. And everyone has more than one. For me, the list includes:

  • Duke Ellington
  • Jimi Hendrix
  • Prince
  • Yoko Kanno

Who's that last one, you ask? One of the most prolific Japanese anime and soundtrack composers and musicians ever.


The funny part is that I'm not an anime fan, per se. Quite literally 99.9% of it I couldn't give rat's patoot about (as my dad's family is fond of saying). Then again, that's true for most entertainment--I'm just not interested in most any of the story plots, acting, etc. The last time I consistently watched a scripted and acted television show? Um...it's been a while, although the latest BBC offering of Sherlock does have me completely hooked. Even this year's season of Archer I haven't kept up with, mostly because Mr OfLove is too tired to be awake and paying attention at 10pm--since it's a favorite of us both, it feels a bit like cheating if I watch it without him.


When I was in high school, Macross Plus came out--obviously first in Japan, but it quickly came over here to the US. The story hooked me completely: set in the future and potentially in an alternate universe, it combined Romeo and Juliet (but majorly higher on the maturity level) with beautiful animation of mecchas in flight, and all with the underlying themes of justice and social acceptance permeating throughout. Yep, teenager DoL was completely hooked...and the music. Wow...how do I describe it? It was created by Yoko Kanno, who then was just starting her career of creating music for entertainment, but more specifically for anime and certain video game titles. But the soundtrack for Macross Plus was jazzy, complex, with a definite techno application to jazz, and this is especially true since one of the 'characters' in the movie/series is Sharon Apple--a computer-generated singer, with the voice and stylistics of her 'producer', Myung Fang Lone. The entire soundtrack is not of one language, but technically four: Japanese, English, French, and Zendradi (the made-up language of main alien race in the story). I love it...and have never been able to shake it.


Fast forward many, many years, to when I met the now Mr OfLove. Being that he's half Japanese, it's practically genetic for him to latch onto anime, but in his case he became a complete anime nerd. If it's a choice between watching anime and anything else on the entertainment field...nope, anime every time. When he first learned about my general disdain for anime, but my love of Macross Plus, he took it upon himself to figure out what possible shows I would like. He's very selective and careful in his choices, and some of the ones he's shown me I have fallen for (Soul Eater being chief among them).


And then he tried Cowboy Bebop. Story...excellent. Combo of drama, comedy, action, and suspense. Set in the near future but in an alternate universe, the core characters are all bounty hunters with intriguing pasts. Some episodes are silly, others are freaky--even one that damn near gave me nightmares due to some horrific images. But overall, holy carp, really, really good. But even beyond the story line, what I love about Cowboy Bebop is the soundtrack. The opening theme is what I'm linking here...but the entire soundtrack is a combo of swing, funk, jazz, with very complex rhythms. My musical mind went into overdrive...I know this style! Sure enough, in the credits: Music by Yoko Kanno, she of Macross Plus. It was a signature sound that I just couldn't get...oh, and the band that performs the opening, The Seatbelts...that's Yoko Kanno's band, or one of them; she has a tendency to do a composition project, then form a band to play the music, even record it for sale...but rarely goes on tour with them. She prefers to stay in Japan, since she readily admits that, while she understands and speaks some English and French, she doesn't do it well. What a pity...I'd love to hear them live!




Side note: You know you're in a major drought when a minor weather system has the potential to dump a whopping .25 inches of rain, at max, in your area...and it's a major news story. Yikes...could someone send us some storms, real storms, please? Not just one or two...but a couple, then a break for a week, then a couple more...then another week-long break...continuously for 2 months? Then we *might* be ok for water 'round these parts.


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We do resonate with certain sound. For me the subtlety of poetic or socially meaningful lyrics does not compute. It's the expression of instrumental music that gets me tingling, but genres like jazz of folk really don't hold any interest, however well played. For me the sound of an electric guitar in the hands of a master is something else, and as Brian May observed, the electric guitar can emulate any sound the voice makes.


Once at a gig I watched the support band beside the lady who did our sound desk. The Drummer made a mistake during one song and I mentioned that to her. She looked quizzical and replied she hadn't heard anything wrong. Ahh, says I, but I know drumming, so I pick up on details like that. "Doesn't that spoil it for you?" She asked in all seriousness. No, I replied, because I also notice when someone does something that little bit special. And much later, when she had learned more about music herself, she told me she finally understood what I meant.

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